Gore

When you start a film off with exploding heads, severed limbs that spray arterial blood like a garden hose, and a chainsaw fight, you can be pretty sure that a film is going to be over-the-top and live up to the word gore in its name.

An hour before he's due to return to the surface after spending a month alone in an underground cavern (deep below the ruins of an ancient church), a 'scientist' flips out and runs about screaming. In response, his 'scientist' surface buddies decide to launch a rescue attempt and venture down into the caves to discover plastic skeletons, evil light bulbs, pet rats, a smoke machine, wobbly tombstones, 7 killer ghost/monk/spirits and eventually........ the doorway to hell itself.

There's no lack of post-apocalyptic zombie films in the world.  Lately there's been no lack of virus-turns-humans-into-fast-moving-zombie films.

The Vanguard is one of these films, but it's different enough to be interesting. First, there's no attempt to be stylish or cool. Unless you think a guy tooling around the post-apocalyptic woods on his Schwinn in ripped jeans and shades is cool (hint: it isn't).

A post-apocalyptic tale of Christian steam-punk space knights gallivanting around with bayonet laserguns and bagpipes, battling puppets and  papier-mâché demons. The whole thing is awash with gore, aliens, cleavage, and perversion. And then Satan shows up.

It's sort of like the Dark Crystal meets Robot Bastard! and the Spanish Inquisition in hell, but with really crappy special effects.

The Seventh Curse is a prime example of Hong Kong film-making at its craziest and most over the top. It's goofy, violent, and fun. Filled with kung fu, evil sorcerers, the undead, gunfights, crazy alien baby monsters, gore, human sacrifice, ass-kicking monks, and Chow Yun Fat. If you haven't seen it, you should.

Sadistic, vicious, and nasty, À l'intérieur is a French horror film that is bound to be a cult classic.  Even seasoned extreme cinema fans will likely find a scene or two here that will make them uncomfortable.

A combination of horror and western, Left for Dead's borderline experimental filming techniques, bizarre storyline, and low budget create a very strange final product that may only appeal to a few people.

Billed as Pakistan's first gore movie, Hell's Ground is everything you'd expect from a teen slasher flick. Although it doesn't offer anything new, it's still a decent addition to the genre. Think of it as the "Pakistani Morning Star Massacre".

Lethal Force is a very low-budget action film that both parodies and pays homage to a slew of other action films.  The lack of budget and a slow start to the film initially had me concerned that it would be terrible.  Fortunately I was wrong; while the film never looks particularly good, it eventually picks up the pace and kicks some ass.

It’s not every movie that features gratuitous birthday cake shootings, transvestite clown prostitution (in exchange for $3 and a peanut butter and jelly sandwich), papier-mâché puppetry, Sam Peckinpah-style excessive violence, and lots of religious symbolism.